

Jose Guzman
- Apr 29, 2019
ICYMI: Seeking a Friend for the End of the World (2012)
Last week, I took time to praise 1989’s apocalyptic thriller Miracle Mile. So dark, so edgy, so depressing, why not find something lighter in the realm of “End of the World Cinema?” Yes, it does exist in the form of 2012’s Seeking a Friend for the End of the World. From writer-director Lorene Scafaria comes this heartfelt view of the “end of days” that is equal parts whimsy, terror, curiosity, humanity, with outrageous laughs and well-earned tears. The film stars Steve Carrel


Jose Guzman
- Apr 23, 2019
ICYMI: Miracle Mile (1989)
Growing up in the tail end of the Cold War may seem insignificant now, but at the time the future didn’t always seem guaranteed to me. Despite a lack of social media and 24-hour news coverage, there was still more than enough hysteria and fear-mongering to make any logical person foresee an impending apocalypse. TV and film also contributed their fair share of frightening tales from the groundbreaking miniseries The Day After to Lynne Littman’s striking feature film Testament

Shelby Cadwell
- Apr 18, 2019
Sorry to Bother You & the Hypervisible Spaces of Late Capitalism
Note: This article is adapted from a presentation I gave at the Literature/Film Association Annual Conference in New Orleans on December 1, 2018. Sorry to Bother You, from first-time director Boots Riley, was released to critical acclaim in January 2018. The film follows the story of Cassius Green (a play on words – "cash is green"), played by Lakeith Stanfield, also known for his roles as Darius in the FX series Atlanta, Andre Hayworth in Get Out, and Snoop Dogg in Straight


Matt Linton
- Apr 17, 2019
Cash is Green: Reconstructing Identity at the Intersection of Race and Class in Sorry to Bother You
Sorry to Bother You, the 2018 film from director Boots Riley is a biting satire that literalizes the conditions commonly associated with late-stage capitalism – an era of transnational flows of capital, increased labor demands, and corporate domination. In the film this is embodied in the form of Steve Lift (Armie Hammer), the founder of WorryFree, a company that provides the equivalent of slave labor. This labor is presented, by Lift, as voluntary – an opportunity for those


Walter Lucken IV
- Apr 16, 2019
We Will Be Happy to Help You With That
I did, in fact work at the call center. It was only for about two days, and if I recall correctly the pay was nine dollars an hour plus bonuses. We were soliciting donations for public television in Buffalo, from the hours of 9 in the morning until 5 in the afternoon. A curious reader might ask why it makes sense to solicit donations during business hours, to which I would simply reply that we were essentially targeting the elderly. Targeting? Well, that part was a bit sinist


Jose Guzman
- Apr 15, 2019
In Case You Missed It: Timecrimes (2007)
Sometimes a film stays with you a few days and lingers. Perhaps you have been a witness to cinematic brilliance like Moonlight or BlackKklansman. Perhaps your sides are still hurting with laughter after seeing Young Frankenstein or Airplane. Perhaps it’s a horror film that has unnerved you like The Descent or The Babadook. Or perhaps a film has many levels to unravel like Memento or Matchstick Men. It’s completely subjective and we all have our own respective tastes but somet
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Shelby Cadwell
- Apr 11, 2019
[SPOILERS] Review: Shazam! (2019)
Title: Shazam! Genre: Action/Superhero/Fantasy Stars: Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer, Djimon Hounsou, Faithe Herman, Grace Fulton, Ian Chen, Jovan Armand Director: David F. Sandberg Bias: I am waaay out of the loop when it comes to the DCEU films. The last one I saw was Wonder Woman, and I haven't bothered tracking down Batman Vs. Superman, Justice League, or Aquaman. At best I find the post-Christopher Nolan DC films enjoyable if not world-shatteri


Jose Guzman
- Apr 8, 2019
ICYMI: Untraceable (2008)
Last week I took time to fawn over the talent and beauty of Madeleine Stowe. This week I would like to highlight another actress whose immense talent may only be outshined by her timeless beauty: Diane Lane. Hard to believe, but Ms. Lane has been honing her craft on-screen for forty years. She got her start alongside Sir Laurence Olivier in George Roy Hill’s A Little Romance. She was a part of the “teen scene” in classics like The Outsiders and Rumble Fish, grew up before our


Steven Proudfoot
- Apr 5, 2019
Review: Sekiro (2019)
Title: Sekiro By: FromSoftware, Activision Genre: Action-Adventure Key Creators: Hidetaka Miyazaki (Director), Yuzo Kojima (Producer) Grade: A In a Nutshell: You are a shinobi named Wolf, and with your trusty sword and swiss-army-prosthetic-arm, you seek revenge on the samurai who has kidnapped your lord. The Critique: In one or two sentences: Sekiro lives up to the hype. It is a very good game. As much as this conversation annoys me at this point, it’s important to say somet


Amber Taylor
- Apr 3, 2019
Review: Oscar-Nominated Animated Shorts (2019)
Every winter, the Detroit Film Theater plays the Oscar-nominated shorts in its beautiful, historic theater. It’s become a tradition for me to go with a few friends and discuss our favorites as they roll (quietly and subtly, of course). For me, it’s all about the animated shorts. I love illustration and the way animation plays with sound and color to tell a story. But, I have to say, for as much as I look forward to the shorts, I ultimately find them disappointing. Year after